Wallpaper

The effect of multiple folded paper aeroplanes in flight is created by an arrangement of basic geometric shapes in a range of muted and colourful shades. Complexity and simplicity characterise an endlessly intriguing design.

A traditional machine is used to print inks which are mixed by skilled craftsman using hand-eye coordination onto paper, made using natural wood pulp.

Not just a pretty face, this floral design of highly stylised roses and thorny geometric shapes offers the perfect hybrid of graphic and organic design.

Hand-knotted and woven, this unconventionally beautiful raffia is first coated with a layer of pigment, giving it body and a hand painted look, before being digitally printed with rich colour and precision.

Kirkby Design welcomes an Eley Kishimoto signature, the iconic Flash design, to mark our second collaboration. Renowned for its striking graphic effect, Flash is paired with rich textures to create a bold, contemporary look.

Hand-knotted and woven, this beautiful raffia is first coated with a layer of pigment, giving it body and a hand-painted feel, before being digitally printed with rich colour and precision.

The climbing trail of Wisteria floribunda can be found throughout the Cole & Son archive. This deciduous, sun-loving, summer bloomer with its refulgent racemes has been updated with a trailing hand-drawn trellis to create a graphic print that is as in keeping within a cottage garden as it is in a contemporary setting.

Sur-flex printed, Wisteria has a thick, chalky texture bringing each individual bud to the fore in palettes of Coral & Sage on Parchment, Magenta & Leaf Green on White, Stone & Olive on Duck Egg, Powder Blue & Jade on Cerulean Sky, and Sage on Leaf Green.

Taking its name from the Chateau de Villandry which houses one of the grandest gardens in France, Villandry's design is printed in a classic Toile de Jouy style featuring a pastoral landscape of parkland, waterways and follies in traditional colourways of red, soft charcoal, cobalt blue, and dove grey.

Uccelli, meaning birds, originated as luxurious folding screens depicting vibrantly coloured birds of all species adorning sparse branches. Since translated to a beautifully intricate wallcovering panel design, this delicate motif brings an ornate quality to a stand-alone feature wall or, used in repeat, creates a stunning aviary rich in detail and colour.

Each roll of Uccelli contains two drops creating a full decorative panel measuring 104cm wide by 240cm high. The design features an extra 40cm of ground colour above the trellis so that it can be trimmed from the top to perfectly fit the wall it adorns.

Shio's magnificent pattern in sky evokes the curves of a wavy sea with sweeping, gestural brushstrokes that wash across this wallcovering's watery surface.

Inspired by the ancient capital of Malta, Valetta evokes the romance of a distant land with its exotic trees and celestial bodies floating on a stippled background.

This enchanting mid-scale wallpaper, designed by Happy Menocal, features wonderful tonal variations and a unique hand-painted aesthetic. Also available as a fabric.

Chosen as the 2020 QEST (Queen Elizabeth Scholarship Trust) Sanderson Design Co. Scholar decorative painter Rachel Spelling has crafted an elegant contemporary wallpaper panel for Sanderson Water Garden. Inspired by nature’s peaceful pleasures in contrast to the chaos of London in lockdown her design draws on the joys of springtime buds early butterflies and a quiet sense of space.

Using a refined and harmonious palette of gently layered pinks, blues and yellows, Rachel’s muted scheme reveals a tranquil horizon that reaches from water to sky. A painted casein distemper ground, breathable and chalky, forms an ethereal backdrop to trailing golden laburnum clusters, which caught Rachel’s eye in the Sanderson archive. Available in one colourway: Soft Jade/Pink Blossom

Stunning Trellis wallpaper 

A botanical themed Damask wallpaper. 

With its mica scales glimmering softly against a translucent painterly ground, the formal, art deco layout of this wallpaper represents a carp’s journey through life.

A subtle texture indicative of rippling water surrounds elegant, outstretched fins.

Chinoiserie Hall is inspired by a beautifully coloured archive wallpaper called Chinese Magpie, believed to be designed by William Turner (1867-1936) and produced by Jeffrey & Co. In this iteration, intricate budgies perch on delicate branches amongst springtime blossom and neat buds.

Inspired by a wallpaper from the archive, Japanese influences feature in this surface printed design that retains a hand block printed look.

An all-over pattern of striped bamboo, hibiscus, hydrangea and wisteria provide a twisting backdrop to perched exotic birds.

A nod to the New York Colour Field movement, this stylized graphic concrete effect is enhanced with a fluorescent touch!

A silver concrete version was created for less colorful projects. A creation entirely made by Casadeco Studio.

Taken from our archive this design was originally a ceiling paper by Arts and Crafts designer Andrew Brophy (1844-1912). We’ve recreated the structure of the trellis and added flowers and leaves from one of May Morris’s original designs to create Brophy Trellis an incredibly usable design which pairs beautifully with other Morris & Co. fabrics and wallpapers. Available in four colourways: Linen/Sage Russet/Gold Ivory/Sage and Deep Teal

Originally a best-selling carpet design, this wallpaper has a specially designed border, which has been incorporated into this contemporary wallpaper. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on all four walls. A fabric of the same name is also available.

This understated wallpaper depicts Persian, overblown flowers climbing in a trailing pattern with softened edges. The pattern was based on a carpet designed by John Henry Dearle in the 1890s, and is now available in distinct colourways.

First produced in 1884, this opulent wallpaper design features a striped meandering diagonal branch from which flowers emanate. The original would have needed 32 blocks to print it. Todays version is available in a stunning array of colourways including an icy stone version, perfect for all walls of the room. Take a look at the fabric of the same name.

Representative of a traditional ikat design, the fine textural effect of this striped wallpaper displays a striking, crisp feel.

Wide width and multidirectional, Ishi’s cloth like detail co-ordinates with its matching fabric.

The grand baroque-style extension of Hampton Court Palace was commissioned by William III and Mary II towards the end of the 17th century to rival the great palaces of Europe.

Opulence was at the heart of baroque design, with mirrors being a great luxury and a symbol of extreme wealth.

King’s Argent is a reflection of this extravagant addition to the palace, a detailed series of silvered mirrored tiles covered in shadowy leaves and flower heads, its delicate etchings adding to the stately grandeur of Hampton Court’s ceremonial rooms.

Stigma walks the line between fashion print and textural solid. The movement of this expressive ink blot graphic evokes the senses, while the scale maintains its status as an approachable basic.

Available in five colorways, Stigma is printed on a cellulose blend ground with a matte finish. Pair with the coordinating Stigma fabric.

A type of pottery traditionally used in Japanese tea ceremonies gives its name to this display of artisanal vessels.

Please note - We can supply all Osborne and Little Fabrics upon request.

Graduated tones of ink wash are presented in juxtaposed blocks of varying sizes and printed on an embossed linen texture.

Please note - We can supply all Osborne and Little Fabrics upon request.

Reviving vintage, animal diagrams, Ark features a myriad of detailed African animals for a fun, antique explorer motif. Inspired by exhibits of London's Natural History Museum, this wallpaper works as the perfect characterful backdrop for a living room, study or nursery.

A pattern from the large, playful collection that Stig Lindberg composed for an exhibition at NK (the Nordic Company) in 1947. The managing director, Astrid Sampe fell in love with the pattern to such a degree that she had it turned into a dress. Stig Lin

The pattern with its stylized green leaves is one of the most loved by the Swedish people.

The china was sold in immense quantities during the 1960’s and is considered an icon in Swedish homes today.