Morris & Co.

This much-loved design from 1875 marked the beginning of a period in which Morris created large-scale designs for wallpaper. Printed here on a cotton/linen blend, scrolling layers of acanthus foliage create a dramatic three-dimensional effect.

Featuring the same glorious, boldly scaled artichoke heads of J.H. Dearle's 1898 original, this highly ornamental design receives some of the richest colour treatment of any Morris & Co. velvet. Printed at our Grade II listed factory in Lancashire, a darkly dyed backdrop dramatically foregrounds Dearle's virile Artichoke pattern. Ideal for use in upholstery and drapery.

Available in four colourways: Inky Fingers/Blush, Midnight/Pearwood, Tump and Barbed Berry 

Dramatic swirling leaves coil around on this monochrome wallpaper. The Morris & Co. studio enlarged the original 1892 design and painted it in the style of medieval frescos with dramatic effect creating a show stopping, 140cm width wallpaper. Also available as a printed fabric and woven cloth.

Bamboo has been adapted from a design by E.W. Godwin of 1872.  Like Morris Godwin was dedicated to beautifying the home and Oscar Wilde referred to him as One of the most artistic spirits of this century in England. Godwin was highly influenced by Japanese design and often used bamboo motifs in his work. Originally block printed by Jeffrey & Co. samples of the wallpaper can be found in the Morris & Co. Archive. This adaptation is taken from the original hand-painted watercolour housed in the Victoria and Albert Museum.

This delightful wallpaper design shows birds swooping, perching and pecking amidst branches of foliage and pomegranate fruit. Dating from 1926, it was one of the last block printed wallpapers designed by Morris and Co. and inspired by the much earlier Fruit wallpaper. Available in irresistible colourways, including one on a stunning metallic background.

An elegant symmetrical fabric design printed on 100% cotton cloth, inspired by a collection of linens Morris first admired in the South Kensington Museum. Todays version has been printed with subtle shading to reproduce the aged patina of the original fabrics and is available in sumptuous colourways. A wonderful choice for statement furniture pieces.

A work of exquisite craftspersonship involving skilled artisans from across the world, our Bluebell Velvet Embroidery sparkles with jewel-like colour and detail. Featuring gradient stitching for a high degree of realism, this remarkable fabric is a contemporary reinvention of William Morris's 1876 Bluebell. Perfect for use in upholstery and most drapery projects.

Available in two colourways: Tump/Webb's Blue and Indigo/Russet 

A stylised pattern of blackberry briars with berries and white flowers cover this upholstery fabric, designed in 1879 by Kate Faulkner - a talented sister of one of the partners of Morris & Co. Available as both a fabric and wide width wallpaper, this fabric design is produced in dramatic colourways.

Brer Rabbit is taken from a 17th century Italian silk and Morris first registered the design in 1882. Named after the Uncle Remus childrens books popular at the time this fabric design was originally indigo discharge printed. Today the Morris studio have tried to replicate the mottled appearance of this earlier method using modern printing processes. Available in wallpaper in co-ordinating colours.

Taken from our archive this design was originally a ceiling paper by Arts and Crafts designer Andrew Brophy (1844-1912). We’ve recreated the structure of the trellis and added flowers and leaves from one of May Morris’s original designs to create Brophy Trellis an incredibly usable design which pairs beautifully with other Morris & Co. fabrics and wallpapers. Available in four colourways: Linen/Sage Russet/Gold Ivory/Sage and Deep Teal

Chrysanthemum was originally designed as a wallpaper by William Morris in 1877 with winding blooms against a foliage background. In this toile interpretation, elegant linework enhances the detail and form of the original pattern, recoloured here to sit alongside the Simply Morris collection.

Chrysanthemum was originally designed as a wallpaper by William Morris in 1877 with winding blooms against a foliage background. In this toile interpretation, elegant linework enhances the detail and form of the original pattern, recoloured here to sit alongside the Simply Morris collection.

Designed by Alison Gee in 2013 this printed fabric depicts scrolling acanthus leaves peacocks hares and foxes amongst bunches of wild flowers digitally printed on velvet and linen for added luxury and inspired by the Forest Tapestry by Morris & Co. Use alongside rich antique wood and painted panelling.

First produced as a wallpaper in 1864, Fruit is one of Morris’s earliest designs. Displaying an abundance of ripened pomegranates hanging from the branches of an overflowing tree, flora and fauna entwine to give this surface printed wallpaper a lovely hand block printed look.

First produced as a wallpaper in 1864, Fruit is one of Morris’s earliest designs. Displaying an abundance of ripened pomegranates hanging from the branches of an overflowing tree, flora and fauna entwine to give this fabric greater depth.

Available in a cotton linen blend, Fruit is suitable for both drapes and upholstery.

Fruit (1 Rolls available at this price)

First produced as a wallpaper in 1864, Fruit is one of Morris’s earliest designs. Displaying an abundance of ripened pomegranates hanging from the branches of an overflowing tree, flora and fauna entwine to give this surface printed wallpaper a lovely hand block printed look.

A classic Morris pattern originally designed as a wallpaper in 1864 Fruit has been carefully adapted into a luxurious velvet seen here for the first time. Reproduced in a variety of authentic colourways Fruit Velvet also features the magnificent contemporary tones of Walnut and Bullrush.

Entwined lily stems and tendrils are arrange along a strong diagonal, designed by J.H. Dearles in 1899. One of the greatest legacies of Morris & Co. this wallpaper is printed in airy colourways, along with two deeper colourways - both styles creating drama in their own way.

First produced in 1876 Honeysuckle & Tulip is an early Morris fabric design depicting entwined foliage and flower motifs in a mirrored pattern repeat. The effect is of a trellis circling large multi petalled tulips and stylised honeysuckle.

The Morris & Co. studio is delighted to present Indian, seen here for the first time not only as a decadent velvet, but also as a textural flock.

Originally a simple two-colour block printed Morris & Co. wallpaper, Indian is thought to have been designed by George Gilbert Scott, with log books in the Morris & Co. archive showing that this design has been re-coloured more than any other across the decades. Featuring a range of standout colour combinations Indian Flock Velvet in a perfect design to reach a new generation of Morris lovers. Indian Flock Velvet is suitable for contract, drapes and upholstery.

An intricate background pattern of hawthorn leaves with blossom covers this wallpaper with a meandering trail of jasmine printed over the top. Designed in 1872 by William Morris, this wallpaper is available in gentle, feminine colourways and inspired the embroidery fabric of the same name.

KELMSCOTT TREE - An interpretation of the lavishly embroidered bed curtains from Morris home Kelmscott Manor. The trellis background on the original has been removed and the design repainted creating a wonderful arrangement of trees birds and flowers.

Inspired by the earlier design, Bachelors Button of 1892, this evocative wallpaper encapsulates the romance of the medieval past that so inspired Morris and was designed by John Henry Dearle in 1912. Gracefully arching leaves punctuated by mid-scale blooms, this wallpaper is produced in both dark and light colourways.

Inspired by the lemons in ‘Fruit’ one of William Morris’s most loved wallpapers Lemon Tree’s chalky white print mark adds detail to trailing branches and delicate blossom creating this fresh and calming design. Available in three colourways: Bayleaf Sage and Wedgewood

Inspired by the lemons in ‘Fruit’, one of William Morris’s most loved wallpapers, Lemon Tree is finely embroidered on an exquisite cotton linen fabric. Trailing branches and delicate blossom create this fresh and calming design, which is suitable for drapes and upholstery.

Pomegranates and Indian-inspired motifs cover this small-scale fabric design. Available in versatile colourways, this design is a good way to introduce Morris design into smaller rooms on upholstery and curtains and is printed on a linen-mix cloth in jewel-like colourways.

Quintessentially Morris, scrolling flowers and foliage cover this 100% cotton upholstery fabric design from 1883. Originally discharge printed at Merton Abbey, great care has been taken to maintain the marks, textures and colours of the hand block-printed fabric. It is printed in two original colourways along with three modern options and suitable for blinds, cushions, drapes and upholstery.

Produced in 1879, Kate Faulkner’s small-scale all-over design of elegant hibiscus (mallow) flowers reflects the natural habit of this low growing far reaching annual plant. Hugely versatile, use alongside Mallow fabric or together with other Morris & Co. designs.

Produced in 1879, Kate Faulkner’s small-scale all-over design of elegant hibiscus (mallow) flowers reflects the natural habit of this low growing far reaching annual plant. Hugely versatile, use alongside Mallow wallpaper or together with other Morris & Co. designs.

A tranquil monotone design designed by Morris in 1875 and one of the few designs Morris produced for both wallpaper and fabric.

Available in both pale and dark colourways to suit rooms with different light.

With a single colour Morris created stunning patterns which worked equally well when applied to wallpaper and fabric. This design from 1875 is one such pattern with versatility and an enduring appeal at its heart.

Adapted from an embroidery designed by J.H. Dearle this colourful design depicts a large fruiting tree with tulips and acanthus leaves. It has been interpreted as a print with delicate line work to imitate stitches and is on linen.

Scrolling acanthus leaves and flowers adorn this wallpaper, adapted from an embroidery designed in the 1890s by J. H. Dearle. Also available as a embroidered silk and linen-blend fabric, the wallpaper version is available in joyful colourways including a shimmering pale Silk Blue version printed in mica inks.

This beautifully printed design of birds and flowerheads trailing a central fruit tree was inspired by a version of the Kelmscott Manor bed hangings crafted for Melsetter House in Scotland. Now translated into a print this new design by Morris & Co. has been painted to create a fresco effect that represents the colourways of the Orkney landscape. Available in three colourways: Indigo Linen and Grey

This understated wallpaper depicts Persian, overblown flowers climbing in a trailing pattern with softened edges. The pattern was based on a carpet designed by John Henry Dearle in the 1890s, and is now available in distinct colourways.

Based on a carpet designed by John Henry Dearle in the 1890s, this sumptuous velvet fabric depicts Persian, overblown flowers climbing in a trailing pattern with softened edges and available in distinct colourways. Use on upholstery to give a room an eclectic look and rich palette.

Originally a best-selling carpet design, this wallpaper has a specially designed border, which has been incorporated into this contemporary wallpaper. The small-scale interlocking floral motif makes it an extremely versatile print which can be used on all four walls. A fabric of the same name is also available.