Morris & Co.

A cheeky bird pecks at delicious strawberries on this enticing flock-effect wallpaper. Reproduced with subtle textures to retain the look of the original hand-printed design and also available as a printed fabric and embroidery.

First produced in 1887, Willow Boughs is one of William Morris most instantly recognisable patterns. Surface printed in a fresh new colour palette, entwining stems and delicate willow leaves combine in this enduring design which defines Morris’s abiding reputation.

The Morris & Co. studio is delighted to present Indian, seen here for the first time not only as a decadent velvet, but also as a textural flock.

Originally a simple two-colour block printed Morris & Co. wallpaper, Indian is thought to have been designed by George Gilbert Scott, with log books in the Morris & Co. archive showing that this design has been re-coloured more than any other across the decades. Featuring a range of standout colour combinations Indian Flock Velvet in a perfect design to reach a new generation of Morris lovers. Indian Flock Velvet is suitable for contract, drapes and upholstery.

Reportedly one of Morriss favourite designs and originally produced in 1876, this Indian-inspired fabric features clusters of snakeshead fritillaries and is an ideal design to team with larger scale Morris designs. Also available as a wallpaper of the same name, the rich colourways of this fabric have been printed on linen union, suitable for blinds, cushions, drapes and upholstery.

This multi-directional paper was originally designed by William Morris as part of a commission for the redecoration of the Grand Staircase in St James’s Palace, London in 1881. This surface printed wallpaper retains a beautiful opaque chalky finish.

First produced in 1887, Willow Boughs is one of William Morris’s most instantly recognisable patterns. Printed on a beautiful cotton/linen fabric, entwining stems and delicate willow leaves combine in this enduring design which defines Morris abiding reputation.

Chrysanthemum was originally designed as a wallpaper by William Morris in 1877 with winding blooms against a foliage background. In this toile interpretation, elegant linework enhances the detail and form of the original pattern, recoloured here to sit alongside the Simply Morris collection.

Produced in 1879, Kate Faulkner’s small-scale all-over design of elegant hibiscus (mallow) flowers reflects the natural habit of this low growing far reaching annual plant. Hugely versatile, use alongside Mallow fabric or together with other Morris & Co. designs.

A cheeky bird pecks at delicious strawberries on this iconic Morris & Co. design, repainted and engraved here for the first time to enable surface printing. Our new interpretation of Strawberry Thief displays an authentic hand-block printed look.

This charming wallpaper from 1882 has been reproduced to allow the application of special printing techniques, including grit and mica, giving relief and texture to this two-colour wallpaper design. A fabric of the same name is also available.

Inspired by the lemons in ‘Fruit’ one of William Morris’s most loved wallpapers Lemon Tree’s chalky white print mark adds detail to trailing branches and delicate blossom creating this fresh and calming design. Available in three colourways: Bayleaf Sage and Wedgewood

This understated wallpaper depicts Persian, overblown flowers climbing in a trailing pattern with softened edges. The pattern was based on a carpet designed by John Henry Dearle in the 1890s, and is now available in distinct colourways.

Inspired by the earlier design, Bachelors Button of 1892, this evocative wallpaper encapsulates the romance of the medieval past that so inspired Morris and was designed by John Henry Dearle in 1912. Gracefully arching leaves punctuated by mid-scale blooms, this wallpaper is produced in both dark and light colourways.

Entwined lily stems and tendrils are arrange along a strong diagonal, designed by J.H. Dearles in 1899. One of the greatest legacies of Morris & Co. this wallpaper is printed in airy colourways, along with two deeper colourways - both styles creating drama in their own way.

This delightful wallpaper design shows birds swooping, perching and pecking amidst branches of foliage and pomegranate fruit. Dating from 1926, it was one of the last block printed wallpapers designed by Morris and Co. and inspired by the much earlier Fruit wallpaper. Available in irresistible colourways, including one on a stunning metallic background.

This beautifully printed design of birds and flowerheads trailing a central fruit tree was inspired by a version of the Kelmscott Manor bed hangings crafted for Melsetter House in Scotland. Now translated into a print this new design by Morris & Co. has been painted to create a fresco effect that represents the colourways of the Orkney landscape. Available in three colourways: Indigo Linen and Grey

A stylised pattern of blackberry briars with berries and white flowers cover this upholstery fabric, designed in 1879 by Kate Faulkner - a talented sister of one of the partners of Morris & Co. Available as both a fabric and wide width wallpaper, this fabric design is produced in dramatic colourways.

An elegant symmetrical fabric design printed on 100% cotton cloth, inspired by a collection of linens Morris first admired in the South Kensington Museum. Todays version has been printed with subtle shading to reproduce the aged patina of the original fabrics and is available in sumptuous colourways. A wonderful choice for statement furniture pieces.

Brer Rabbit is taken from a 17th century Italian silk and Morris first registered the design in 1882. Named after the Uncle Remus childrens books popular at the time this fabric design was originally indigo discharge printed. Today the Morris studio have tried to replicate the mottled appearance of this earlier method using modern printing processes. Available in wallpaper in co-ordinating colours.

Bamboo has been adapted from a design by E.W. Godwin of 1872.  Like Morris Godwin was dedicated to beautifying the home and Oscar Wilde referred to him as One of the most artistic spirits of this century in England. Godwin was highly influenced by Japanese design and often used bamboo motifs in his work. Originally block printed by Jeffrey & Co. samples of the wallpaper can be found in the Morris & Co. Archive. This adaptation is taken from the original hand-painted watercolour housed in the Victoria and Albert Museum.

KELMSCOTT TREE - An interpretation of the lavishly embroidered bed curtains from Morris home Kelmscott Manor. The trellis background on the original has been removed and the design repainted creating a wonderful arrangement of trees birds and flowers.

Rambling Rose (1 Rolls available at this price)

Rambling Rose depicts that iconic stalwart of forest walks and cottage gardens alike the English rose. Climbing twisting and turning this thorned rose's beguiling labyrinthine structure betrays the rose's symbolisation of earthy love and purity. A rarer feature in his wallpapers the rose was a motif William Morris repeatedly turned to in tapestry as well as in poetry.

Rose (here called Rambling Rose) from 1877 returns to the Morris & Co. range for the first time in many years in the Emery Walker's House collection.

Fruit (1 Rolls available at this price)

First produced as a wallpaper in 1864, Fruit is one of Morris’s earliest designs. Displaying an abundance of ripened pomegranates hanging from the branches of an overflowing tree, flora and fauna entwine to give this surface printed wallpaper a lovely hand block printed look.

Originally imagined as a wallpaper available for the low price of 4 shillings and sixpence in 1879, Sunflower is here translated onto sumptuous velvet fabric. In no less than 7 colour choices, Sunflower's radiant pattern of flowerheads and flowing vine forms offer an irresistible decorating story for the home. Perfect for use in upholstery and drapery.

Available in seven colourways: Inky Fingers, Tump, Sussex Rush, Red House, Barbed Berry, Fired Biscuit and Webb's Blue 

A work of exquisite craftspersonship involving skilled artisans from across the world, our Bluebell Velvet Embroidery sparkles with jewel-like colour and detail. Featuring gradient stitching for a high degree of realism, this remarkable fabric is a contemporary reinvention of William Morris's 1876 Bluebell. Perfect for use in upholstery and most drapery projects.

Available in two colourways: Tump/Webb's Blue and Indigo/Russet 

Featuring the same glorious, boldly scaled artichoke heads of J.H. Dearle's 1898 original, this highly ornamental design receives some of the richest colour treatment of any Morris & Co. velvet. Printed at our Grade II listed factory in Lancashire, a darkly dyed backdrop dramatically foregrounds Dearle's virile Artichoke pattern. Ideal for use in upholstery and drapery.

Available in four colourways: Inky Fingers/Blush, Midnight/Pearwood, Tump and Barbed Berry 

A cheeky bird pecks at delicious strawberries on this iconic Morris & Co. fabric. Faithfully reproduced on 100% cotton, subtle textures retain the look of the original hand-printed design. Suitable for elegantly flowing drapes,

Strawberry Thief is also available as a wallpaper.

Pimpernel is an unusual figure of eight design inspired by the 1876 wallpaper of the same name. Featuring tulip leaves and flowers in a graphic modern style, this iconic Morris & Co. design is produced on a fine cotton linen blend.

This much-loved design from 1875 marked the beginning of a period in which Morris created large-scale designs for wallpaper. Printed here on a cotton/linen blend, scrolling layers of acanthus foliage create a dramatic three-dimensional effect.

Inspired by the lemons in ‘Fruit’, one of William Morris’s most loved wallpapers, Lemon Tree is finely embroidered on an exquisite cotton linen fabric. Trailing branches and delicate blossom create this fresh and calming design, which is suitable for drapes and upholstery.

First produced as a wallpaper in 1864, Fruit is one of Morris’s earliest designs. Displaying an abundance of ripened pomegranates hanging from the branches of an overflowing tree, flora and fauna entwine to give this fabric greater depth.

Available in a cotton linen blend, Fruit is suitable for both drapes and upholstery.

Chrysanthemum was originally designed as a wallpaper by William Morris in 1877 with winding blooms against a foliage background. In this toile interpretation, elegant linework enhances the detail and form of the original pattern, recoloured here to sit alongside the Simply Morris collection.

A pretty and subtle all-over leaf design, Standen is lifted from the background of our Lily wallpaper. Produced on a lovely cotton/linen blend, this fabric complements the entire Morris & Co. range.

The swirling rhythms and complex structure of this wallpaper made it the choice for Morris himself when decorating his dining room at Kelmscott House. Designed in 1876, this surface printed wallpaper is available in feminine yet robust colourways.

Produced in 1879, Kate Faulkner’s small-scale all-over design of elegant hibiscus (mallow) flowers reflects the natural habit of this low growing far reaching annual plant. Hugely versatile, use alongside Mallow wallpaper or together with other Morris & Co. designs.